Gallery

Updated September 30, 2016

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Menswear

Easily the most complicated & complex costume in all of Phantom! This massive undertaking took hundreds and hundreds of hours to complete, and is inspired by the costume Ramin Karimloo wore as the Phantom. The main part of the costume consists of a doublet with elaborate sleeves, and breeches. The doublet is made from panels of silk velvets, crushed velvet, and brocades. These are trimmed with metallic twisted cord in shades of gold, black, and wine. Gold tipped-ribbons made from various brocades used in the costume hang over the skirting. Large bows handmade from many yards of ribbons and brocade, adorned with jeweled appliqués, decorate the center front. The paned sleeves curve over three tiers of puffed brocade attached to a sleeve base. The panes have many layers to aid them both visually and structurally. Along with being different sizes, they have different elements inside of them to keep the shape depending on the placement. They are trimmed in metallic gold bias tape. A good portion of these sleeve must be completely hand-sewn to ensure correct placement and the desired look. The cuffs match the elaborate sleeves and end in a ruffled metallic gold & black fabric, which is also seen around the collar. The breeches have a similar paneled theme as the doublet, except that they are placed on a diagonal. They consist of wine silk velvet, crushed velvet, and metallic brocade, with twisted cord trim and sequined jacquard trim between each panel. They also have a vertical panel on the outer sides of black velvet, which feature the same custom bows used in the doublet. The lowest bow has golden laces, chains, and beaded strands dangling from it. There is also a removable codpiece that ties on to the front of the breeches. The elaborate cape boasts almost 30 yards of pure silk dupioni. The double-layered cape is trimmed at the hem in gold and black ribbons. Atop the shoulders sit two large silk bows with brocade-lined ribbons hanging from them. Large golden tassels and ropes cascade around the front. The cape has a few different loops hidden in it: The traditional one most often seen, where the cape is carried over the right wrist. But the cape can also be worn down for dramatic photoshoot purposes. Hidden loops on both of the side fronts are included for both function of carrying the cape, and also the ability to spread the cape wide on both arms. Accessories include red stockings, custom-made shoes, and the elaborate hat. The shoes are made from the crushed velvet seen in the costume and the same decorative bows. The hat was made custom, decorated with the same crushed velvet, and adorned with golden trims, and glass crystals in white and gold. Many plumes adorn the hat, including both real and artificial ostrich plumes dyed red and black, as well as coque tail feathers in the same hues.

A look at the ensemble without the cape.

Featuring different ways to wear the cape.

Modeled after the authentic waistcoat in my possession, this replica features almost exact matches to the original ribbed fabric and silk lining. Notable details include welt pockets, a back buckle, satin ribbon detailing on the lapel, and richly decorated buttons in the front.

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Womenswear

~Star Princess #6~ A scaled-down UK version based off of Sierra’s Royal Albert Hall ensemble. Custom accessories include Victorian masquerade boots, moon tiara, and stars bursting from a mask on stick. The bodice was custom airbrushed and the subtle ombre in the skirt is a silk georgette. Netting and tulle in hues of blue, purple and pink build up the fluffy skirt. To camoflauge the adjustable corset back we blended the loops and lacing to the top and bottom bodice colors. The bodice features steel boning and custom lining. Embroidered silver star appliques glitter throughout!

A custom dress made from a very soft linen blend! Many tiers in the skirt add fullness when moving or spinning.

Made from a silky yet textured poly stretch tafetta blend, with a beautiful luster. I don’t generally use tafetta, but this one reminded me so much of silk rather than normal tafettas. It’s nice and crisp, with varied tones and a slight texture like dupioni. My wishing cloaks include a hair pin sewn into the top center of the hood, so it stays atop your head when needed. This is done in stage costumes like the real one in Phantom. The scarf is a lovely, super-soft scarlet knit with matching 6″ chainette fringe.

This dress, inspired by the one Sierra Boggess wore as Christine Daae, bursts with color and has layers upon layers of trimmings! The skirt is built upon hundreds of yards of colored tulle, netting and ruffles. Hand-sculpted and casted stars among rows of beads sit atop special iridescent and ombre fabric layers. The stars themselves are decorated with metallic paint, rhinestones, and glass AB faceted crystals. The bodice is specially colored with silk paints in a gradient reflecting a sunset. It is decorated with thousands of glass crystals, pearls, silver beads, and more. Starbursts at the center bust lay on many metallic lace-trimmed layers of ruffles. Dangling crystal and pearl beads decorate the shoulders. A special corseted back has been added to the bodice. Accessories include a tiara with the matching custom stars and hand-carved moon, custom Victorian boots, and a matching mask on stick bursting with the same beading and stars found on the costume.

Kikyo Zoldyck Dress ~ A commissioned piece that combines Rococo and Victorian elements! The dress is supported by custom small panniers and a hot pink ruffled netting underskirt. The skirt flares out at the hips and yards upon yards of silver embroidered lace cascade over layers of the skirt and hem. The bodice is steel-boned and features a luxurious pink brocade center with embroidered patterns. It also has double rows of lace at the sleeves and a dramatic lace collar. We wanted the collar to match the lace, so I used a remnant of a silvery white fabric, and overlayed the silver lace on top. After trimming it in the same silver lace, I used cutouts of roses from the lace and hand-stitched them loosely to the collar for a 3D lace sort of effect. As a special little extra something, I lined the bodice in layers of cotton but used a fun purple silver polka-dot cotton as the interior layer.

ucious navy satin is the base for this hooded Christine cloak. The scarf is made from silk devore satin, (the same kind of material used in Christine’s dressing gown ruffles!), and dyed the perfect shade of scarlet. It is trimmed in extra long scarlet chainette fringe. A hidden hair pin is stitched in the top of the hood to help it stay upon the head, and custom matching bias tape lines the neck.

This commission was inspired by the West End / UK version of Christine Daae’s Wishing Gown. The appliques are custom-embroidered, and each tassel is hand-stitched. Trims were woven together, dyed, and layered on. The delightful fabric’s pattern is worked in different ways – a chevron pattern in the front drapery, pleated hems and cuffs, and to compliment the curves of the bodice. It is simplistic yet extremely complex and decadent at the same time!

My twist on Belle’s classic ballgown. Ombre is my favorite technique, so I wanted to include it here. It’s most prominent in the pleated georgette swags, and there’s a slight airbrushed ombre in the middle panel of the bodice. Tulle, georgette, and hand-made ribbon flowers adorned with pearls and gems decorate the neckline. An ornate, metallic gold lace decorates the middle bodice and the hem of the tulle layer of the skirt. Each swag is pleated onto a gold satin ribbon ending in gold roses. An antiqued golden bronze necklace completes the look. Do you want a couture gown made to your exact measurements? They start at $1000+. Fill.out an inquiry at http://esquote.wordpress.com

I absolutely loved working with these materials. My client requested a duotone silk for the cloak fabric; blue and black. Not only is the color change divine in real life but the silk is lightweight and flowing! My normal Little Lotte scarves are made from a bright cherry knit, but I felt that wouldn’t fit with this special fabric – so I took silk jacquard (the same material Christine’s dressing gown is made of!) and dyed it to a rich scarlet. I think the deeper color along with both materials being silk is complementary. As with all my cloaks, there’s a hidden bobby pin in the hood to keep it atop the head!

A commission for Christine’s Hooded Wishing Cloak. It features navy crepe-back satin and a rich, scarlet scarf trimmed in chainette fringe. It also includes an oversized hood and two front closures.

Ariel’s Sail Dress from The Little Mermaid ~ This ensemble was sewn entirely by hand! I also distressed and airbrushed the costume to look like the sail and rope were worn and aged by the sea. Ariel’s ensemble changes a bit in this scene from something very bulky and unflattering ( http://bit.ly/1JbAa5z ) to something that looks like a very modern dress ( http://bit.ly/1Mj5Mp0 ) — I’ve seen the ‘modern’ version done a bit, but it’s just too simple and unrealistic for my taste… yet I didn’t want to go full-on copying the unflattering look. I went somewhere in-between and tried to put my spin on it. It closes in the back with snaps – the ropes are hidden behind the muslin to look like they wrap around, but they’re actually separate pieces so it’s easy to get into the dress! This will be for sale after I use it for a photoshoot.

Esmerelda’s skirt and accessories! This commissioned piece includes a purple petticoat to keep the costume full, a periwinkle circle skirt that flares out when dancing, a simple head scarf, and an elaborate embroidered skirt scarf trimmed in real metal coins.

I heavily altered the shirt and the vest — the shirt was dyed, adjusted to size, and patches were added – the vest started out as a khaki jacket and I removed a few elements, dyed & altered it, and added patches/details as well. My accessories included a badge I made, some aviators, and raptor scars, of course!

Mystical golden sparkles adorn a forest-green sheer hooded cloak. A golden squirrel hangs from a large gold chain in the front, and colorful paillettes adorn strings of mossy yarn. Accessories include a floral golden butterfly circlet, a green butterfly clip, and a necklace carrying magical dust.

This garment is a modern interpretation inspired by Lady Liberty, with a special message about LGBTU rights, equality, and love. Cascades of brightly colored rainbow fabric are sprinkled with colorful paillettes. These shimmery embellishments are hidden in their respective color, to give a subtle hint of shine while staying classy. A custom built rainbow crown and torch are embellished with gold filigree and rainbow gems.

Sparkling seafoam blue dotted tulle is layered on top of a shiny cerulean tissue lamé with distressed edges. Wisps of webby fabric decorate the top sides, while pearls and flower beads are scattered throughout.

This has always been one of my favorite costumes. It’s simple, but the sparkle is enchanting. I layered a heavily sequined silver fabric underneath a sheer purple netting encrusted with tiny rainbow gems. To add even more sparkle, I stitched many sequins, paillettes, pearls, beads, gems, etc. along the bust and slit in the skirt. I felt like she needed an accessory, so I created a starfish hair comb encrusted with lots of sparkling things :) I photographed it in different types of lighting because it really transforms depending on the light.

Ornate gold details are sprinkled throughout rich fabrics in hues of ocean blues. Tinkling bells, gold tassels, and ruby gems sparkle and delight. The mask on stick and gold tiara were handmade, while the wig was styled, and the shoes were hand-painted. The semi-sheer cape is detachable.

Commission inspired by the ensemble the evil queen wears in episode 3x02 ("Lost Girl") of Once Upon a Time. A vinyl corset belt, delicate silver & black webbing at the sleeve ends, and a leathery reptilian textured fabric throughout.

Commission inspired by the ensemble the evil queen wears in episode 3×02 (“Lost Girl”) of Once Upon a Time. A vinyl corset belt, delicate silver & black webbing at the sleeve ends, and a leathery reptilian textured fabric throughout.

An original design I created for Blithe Spirit. The actress also had a gray wig and ghostly gray makeup in addition to the gray bodysuit.

Original Costume featuring gauzy fabrics and fluttering dragonflies. Included are a crown of white flowers and a jewelry set of two necklaces and a bracelet.

Blue Floral Corset & Cotton Victorian Chemise

A recreation of Ruby/Red’s ensemble from “Once Upon a Time”. The corset is made from a brown and gold ribbed fabric, trimmed with black and red lace, and decorated with gold flossing. The creamy cotton peasant blouse has chantilly lace in the center and inlaid in the sleeves. The heavy velvet cape is made from the same fabric used on the original costume, and boasts a luxurious scarlet silky lining.

Designed and created by myself, for a gala event I attended. The bodice is made from a burnout knit, while the skirt is a flowy black chiffon – and the entire dress has a nude lining.

Designed and created by myself for an awards ceremony I attended. This dress is made from a scarlet knit fabric and features cape-like flowing foil tulle elements from the back shoulders. It also features tulle trimmings and ribbon roses. A crown of roses also adorns the head.

Premiere emerald and scarlet velvet are a lush foundation for this ensemble. Thousands of glass and acrylic beads and gems shine throughout gold trimmings, filigree pieces, and metal charms. Accessories include gold wrist cuffs, matching scarf, and slavegirl tiara (not shown).

This commission was inspired by the West End / UK version of the Hannibal Slave Girl ballet dancer costume in “The Phantom of the Opera”. Emerald and scarlet velvet panels alternate in the bodice, with gold trimmings on the seams. As per the real costume, a spiky ribbon trim consisting of hand-folded gold ribbon adorns the bodice; the back closes with hook & eye closures; and the rope skirt is completely removable via heavy duty snaps. Layers of gold lace, appliques & gems were stitched onto the front ‘collar’ and front & back belt areas. Gold, black, green, and red beads lie delicately over the shoulders and hang from the front belt.

A commission for a costume that is quite deceiving on the construction end – would you believe 145 yards (YARDS! not feet) of trimmings and 15 yards of various fabrics went into this look? The skirt is not a pattern – it’s actually rows and rows of ribbons stitched on. In addition, some trims on the skirt are layered on top of each other for a rich effect. I also love how the floppy hat came out!

The Masquerade Monkey Girl – a costume made way back in 2010! The “fur” is hand made – it’s actually a bunch of little strips of ribbon sewn to the base fabric. The tail and hat are my favorite parts of this costume.

A version inspired by the Broadway gowns. This features woven silver star appliques, luxurious navy ribbon ruffle, and two layers of rhinestones covering the bodice.

This commission is being done in two parts so I thought I’d post photos of the first piece! Here’s the Star Princess skirt, modeled after the European versions. Layer upon layer of blue tulle and netting is topped with a shiny iridescent sheer, a pale pink ombre, and a clear tulle layer with stars. The stars were hand-sculpted, molded, cast, painted, and decorated with glass crystal especially for this project! I plan on taking more photos of the skirt in different lighting since it transforms a bit, much like my Ariel dress!

Made from premium silks and velvets resembling those in the real costume. Yards and yards of trims adorn this little bear, complete with hat, shoes, and accessories!

This commission was inspired by the West End / UK version of Christine Daae’s Wishing Gown. Many of the trims and embroidered appliques were put together from scratch. Yards and yards of trimmings, velvet ribbon, and tassels adorn this costume. A large waterfall drapery compliments the back, while the velvet faux vest, collar, and cuffs highlight the front. The seam work was particularly challenging with such a detailed and directional fabric.

This was an older costume from when I first started sewing. It’s based off of Christine’s Aminta costume in The Phantom of the Opera. This spanish flamenco-inspired costume is made from a dark peach satin with rows and rows of embroidered ruffles. Gold, black, pink, and bright scarlet details add to the richness of this ensemble.

Crowns & Tiaras

Star Princess #6 Crown

Sunflowers and berries are intertwined on a rustic bark crown.

Large black roses sit atop the sides of this dark crown, intertwined with faded greenery, crimson roses, and iridescent black feathers. Adjustable via ties in the back.

Warm and spicy hues of fallen leaves, corn husks, cranberries and sunflowers adorn this fall crown fit for any faerie!

FairyElven_LightedCrown copy_watermarked

Custom resin stars encrusted with rhinestones and crystals adorn a steel base. A crescent moon sits atop the middle and sprouts stars and crystals from its’ center. The tiara has combs near the back that hold it in place and the moon can be tilted/adjusted. The stars and moon are wired and soldered onto the base to be extra sturdy!

Golden Holly Crown ~ A golden glass crystal is the centerpiece for this charming crown that also doubles as a headband. Metallic holly leaves are the base for tiny berries, miniature ornaments and golden pinecones.

Frosted Berry Crown ~ A rustic bark base holds leaves and bright red berries that are dusted with the light, fresh frost of early winter.

Mystic Ice Crystal Crown ~ An exceptionally detailed crown featuring crystallized branches, snowy juniper, icy beads, and frosty notions. A glass crystal sparkles upon the center front.

Rustic Winter Crown ~ Red berries and bark weave through pinecones dusted with golden glitter.

Props for the “Lady Equality” ensemble, which include a pastel rainbow flame-filled torch and an extravagant rainbow crown, decorated with gems & filigree.

A delicate tiara made from metal wire, filigree, and brass findings packed with gems and glittering rhinestones throughout.

Created from high quality, sparkling glass crystal findings plated in shiny silver.

Rich blue crystals and rhinestones are set in brass findings for this one-of-a-kind piece that can be worn many different ways.

not shown: triton, other star princesses,

Hats

Accessories including the Red Death hat and shoes, as well as some detailing on the costume.

Masks

Matching the tiara, this mask on stick matches the icy blue moon and is decorated with a variety of custom resin stars, rhinestones, and crystals. A wire armature is hidden around the back edge of the mask to attach the wired strands to, and the dowel is spiral-covered in silver ribbon.

Star Princess #6 Mask Accessory

not shown: puppets

Custom Shoes

Star Princess UK Boots ~ Created from plain black boots, many layers of leather paint and other specialty paint were applied as well as a top coat. An extended tongue was made, painted, and attached to the shoe’s shorter tongue. Custom dyed laces adorn the front.

Accessories including the Red Death hat and shoes, as well as some detailing on the costume.

Circlets & Hair Combs

This antiqued bronze piece appears as if it’s from an ethereal realm, and features a luminous green crystal as its centerpiece. Adjusts to the head with elastic and can also be pinned to hair for extra support.

A deep red gem is flanked by glass crystals atop a filigree base. A single heart dangles from the front.

A sparkling green gem is surrounded by antique brass filigree and brass-colored rhinestones.

An otherworldly onyx-colored gem is surrounded by gunmetal findings, beads, & chain.

Delicate silver vines entwine ice blue pearls wrapped in filigree. At the center sits a filigree butterfly with a sparkling azure gem.

This circlet features a sparkling rhinestone set in a nickel filigree, with feathers dangling from it. Inspired by a dreamcatcher.

A gold-bronze sun sits atop a webbed gold medallion, while feathers, metallic leaves and other greenery sprout from the top.

A delicate swan appliqué made of pearlescent and iridescent beads accompanies wispy feathers decorated with diamonds.

Accessories (Jewelry & Other)

Inspired by signature elements of Day of the Dead, this necklace has beautiful stone-carved skulls and resin flowers in all shades of the rainbow. The small colored beads and black beads are also stone, too, and give a more elegant and “real” look than plastic.

Day of the Dead / Día de los Muertos Bracelet ~ Inspired by signature elements of Day of the Dead, this bracelet has beautiful stone-carved skulls in all shades of the rainbow, intertwined with floral painted stone beads. These give a more elegant and “real” look than plastic. The beads are strung on an elastic cord and one size fits most wrists.

Inspired by signature elements of Day of the Dead, this bracelet has beautiful stone-carved skulls and resin flowers in hues of bright blue and orange, intertwined with floral painted stone beads. These give a more elegant and “real” look than plastic. The beads are strung on an elastic cord

Inspired by signature elements of Day of the Dead, this bracelet has beautiful stone-carved skulls and resin flowers in hues of purple and lime, intertwined with floral painted stone beads. These give a more elegant and “real” look than plastic. The beads are strung on an elastic cord.

Slavegirl Chestplate for my friend who had the real angels :) I researched a few different Broadway versions to come up with the design/placement. They’re all very very similar; some use different triangular brass pieces in the center – some use more green gems or more red gems, etc, so I went with a mix that was complementary of the standard Broadway versions. I searched for hours and hours to find some of the other brass pieces found in the real deal, which include the very top piece, the piece beneath it, and the triangular center piece. The two bottom pieces are very similar, and the little droplet was as lose as I could get. Glass gems and rhinestones of different sizes/colors are used throughout. They really catch the right – especially the medium and tiny gold ones that are scattered throughout the angels, which blend in in this still photograph.

Delicate black lace and scarlet ribbon are decorated with miniature red roses.

Reminiscent of “Beauty and the Beast”, or just a romantic symbol – this necklace is simple yet elegant.

A dual purpose circlet and choker, this accessory is made from a velvet ribbon base and is decorated with crystal-centered ribbon flowers.

The Enchanted Sea version of Little Lotte’s scarf! This burnout satin 100% silk scarf is hand dyed the perfect shade of scarlet, and trimmed in 6″ long scarlet chainette fringe.

A silk scarf made from devore satin, dyed to the perfect shade of scarlet. Trimmed in extra long chainette fringe. Not only is it divinely soft, but it’s long enough to wear many different ways! Fun fact: Devore satin is commonly seen on Christine’s dressing gown ruffles, which is why I chose it for her scarf.

Custom dyed to the perfect red. Made from an exceptionally soft rayon blend knit and adorned with silky fringe trim.

A fluffy fleece scarf with a cheerful character make for a warm accessory on chilly days.

FIligree bracelets adorned with large glass crystals, rhinestones, and antique brass filigree pieces.

Inspired by the mirrored brass angels on some of the U.S. chestplates of the slavegirl costume, most prominently seen on Christine and Meg. These miniature cherubs dangle from an antique brass chain.

A sparkling AB glass crystal is surrounded by delicate golden brass filigree, rhinestones, and metal findings.

A rich glass turquoise glass crystal is surrounded by delicate silver-plated brass filigree, rhinestones, and metal findings.

A dazzling glass lime-green gem is surrounded by delicate brass filigree, rhinestones, and metal findings.

(Accessory to the Dryad Forest Spirit ensemble). A Swarovski crystal heart and silver feather accompany a bottle of silver & green magical dust.

Shimmering gold beads and a musical cherub dangle from a bottle of iridescent gold magical dust.

A chain of glittering AB crystals holds two chrome stars, encrusted with AB rhinestones. A wealth of hours went into the creation of this piece. These stars were sculpted and molded by myself, and cast in FeatherLite resin. They were treated with two coats of primer and two coats of chrome paint, as well as various sized rhinestone gems.

A grinning pirate skull with two ruby-colored gemstone eyes adorns a delicate silver filigree ring.

A cherub attached to bronze filigree hangs from a golden chain. Inspired by the Phantom of the Opera proscenium.

A lavender blossom floats atop a gold filigree ring encrusted with lavender rhinestones.

This necklace features a sparkling rhinestone set in a nickel filigree, with feathers dangling from it. Inspired by a dreamcatcher.

This circlet features a sparkling rhinestone set in a nickel filigree, with feathers dangling from it. Inspired by a dreamcatcher.

Made from beads, bead caps, and rhinestones, a magical crystal ball sits atop a rhinestone-decorated bronze filigree ring.

An ornate sea turtle dangles from ombre shades of ocean blues and sea foam green glass crystals.

Christine Daae angel accessory – The angels are cast in special resin from a mold created from original brass angels. They are primed and carefully painted. Golden brass filigree, faceted gems and golden rhinestones adorn the front of this piece, while a pin is attached to the back for easy attachment to any top or bodice. All pieces are both glued and stitched down for extra stability. Inspired by the decoration on the Hannibal slave girl bodices in Phantom.

Made from premium silks and velvets resembling those in the real costume. Yards and yards of trims adorn this little bear, complete with hat, shoes, and accessories!